Belfries of Belgium and France
From the World Heritage inscription for Nan Madol:
Nan Madol is a series of more than 100 islets off the southeast coast of Pohnpei that were constructed with walls of basalt and coral boulders. These islets harbor the remains of stone palaces, temples, tombs and residential domains built between 1200 and 1500 CE. These ruins represent the ceremonial center of the Saudeleur dynasty, a vibrant period in Pacific Island culture. The huge scale of the edifices, their technical sophistication and the concentration of megalithic structures bear testimony to complex social and religious practices of the island societies of the period. The site was also inscribed on the List of World Heritage in Danger due to threats, notably the siltation of waterways that is contributing to the unchecked growth of mangroves and undermining existing edifices.
Nan Madol is one of the most fascinating and significant places in the Pacific. I first visited Nan Modal in 2007 as I began my around the world trip. However, it took until 2016 to be placed on the list of UNESCO World Heritage Sites. The site is extremely deserving of world heritage status and years it was number one on my list of places which should have been world heritage sites.
The site has been called “the Venice of the Pacific” because it is a network of small islands separated by canals and connected by bridges. In fact, the name Nan Modal means “spaces between” which references the canals. Most of the islands have a structure which can best be described as a log cabin built with basalt rocks. Geologic testing shows that many of the rocks were brought from other islands to Pohnpei, and it hasn’t been positively determined how they were transported.
The structures were used both as dwellings and as burials sites.
The hard part about visiting Nan Madol is getting to the island of Pohnpei. Micronesia gets very few visitors as it is far away from any major population center, and there is only really one way to get to the island. The only way to get to the island is via the “island hopper” flight which is run by United Airlines. It starts in Honolulu and stops at islands in the Marshall Islands and Micronesia on the way to Guam three days a week. It alternates going Guam to Honolulu the other days of the week.
There are no major hotels or resorts on Pohnpei, so you will likely be staying in lodging which would be the equivalent of a 2-star hotel or a motel.
I arrived at the site by boat on a day long boat tour of the Pohnpei lagoon. You can also arrive by car, but there is a hike involved to get from the road to the location. It is approximately a 90-minute drive from the capital city of Palikir.
Expect to pay a few dollars as an entry fee.
Give yourself at least an hour, if not more, to explore the site. The location isn’t very visitor friendly. There is no visitor center and little to nothing in the way of interpretative material. If possible, hire a guide who can share some of the oral history of the site.
From the World Heritage inscription:
The Silk Roads were an interconnected web of routes linking the ancient societies of Asia, the Subcontinent, Central Asia, Western Asia and the Near East, and contributed to the development of many of the world’s great civilizations. They represent one of the world’s preeminent long-distance communication networks stretching as the crow flies to around 7,500 km but extending to in excess of 35,000 km along specific routes. While some of these routes had been in use for millennia, by the 2nd century BC the volume of exchange had increased substantially, as had the long distance trade between east and west in high-value goods, and the political, social and cultural impacts of these movements had far-reaching consequences upon all the societies that encountered them.
The routes served principally to transfer raw materials, foodstuffs, and luxury goods. Some areas had a monopoly on certain materials or goods: notably China, who supplied Central Asia, the Subcontinent, West Asia and the Mediterranean world with silk. Many of the high-value trade goods were transported over vast distances – by pack animals and river craft – and probably by a string of different merchants.
The Tian-shan corridor is one section or corridor of this extensive overall Silk Roads network. Extending across a distance of around 5,000 km, it encompassed a complex network of trade routes extending to some 8,700 km that developed to link Chang’an in central China with the heartland of Central Asia between the 2nd century BC and 1st century AD, when long distance trade in high-value goods, particularly silk, started to expand between the Chinese and Roman Empires. It flourished between the 6th and 14th century AD and remained in use as a major trade route until the 16th century.
The Silk Roads world heritage sites is a serial site consisting of 35 different locations spread across three different countries: China, Kazakhstan, and Kyrgyzstan.
I visited the Burana Tower which was in the ancient, and near the current, city of Balasagun, Kyrgyzstan.
Like most towers in Muslim lands, it served as a minaret for daily calls to prayer. However, as it was an important stop on the silk road, it also served as a type of landlocked lighthouse. In the evenings a fire would burn on the top of the tower so caravans could see it from a distance. Today the tower is approximately half the height of the original tower which was reduced in size due to earthquakes.
In addition to the tower, there is also a graveyard located containing Turkish headstones known as balbals. They are carved into the likeness of the person who was buried there.
The Burana tower is located just outside the city of Tokmok, Kyrgyzstan. It is approximately 70km from the capital of Bishkek. You can reach Tokmok by bus and then take a taxi to the Burana Tower. It can be visited as a day trip from Bishkek.
The primary attraction is the tower itself. You can climb to the top of the tower via a very narrow and winding staircase. The staircase only has room for one person. The graveyard mentioned above is the other primary attraction of the site. There is also a small museum on the site which displays artifacts which have been excivated from the site.
View the complete list of UNESCO World Heritage Sites in Kyrgyzstan.
View the list of all of the UNESCO World Heritage sites I have visited on my travels.
This week my co-hosts Jen Leo and Chris Christensen are joined by guest Jody Halsted from irelandfamilyvacations.com to talk about Family travel in Ireland.
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Early in 2016, I made the decision to switch from Nikon, which I had been shooting with for 9 years, to Sony.
It wasn’t an easy decision. When you buy into a camera system it isn’t just a matter of getting all your lenses and gear to be compatible. You become accustomed to where all the knobs, dials, switches and buttons are. It is similar to playing an instrument and then being asked to play something else, even if that something else is similar, like moving from playing the clarinet to a saxophone.I had originally purchased a Nikon D200 back in 2007, which was their top of the line crop sensor camera. In 2011 I upgraded to the D300s, which was the successor to the D200, and which originally came out in 2009.
Since 2011 I had been waiting for the successor to the D300s to come out…..and nothing ever happened. I would occasionally read the Nikon rumor sites and a few times every year there would be rumors about how the D400 would be released at the next big photo/technology event.
…and nothing happened.
I then started thinking about just getting a full frame Nikon camera like the D810, which I almost did. Moving to a full-frame camera would have been close to switching to a brand new system because I would have to have purchased new lenses along with the new body. If I was going to do that, then I figured I should just consider changing everything.
I ended up just doing nothing for a very long time, using my D300s even as it literally started to fall apart (and I’m quite serious when I say it was falling apart. Most of the rubber surfaces on the body are now falling off.)
As I waited, and as Nikon kept not releasing the D400, I began hearing more rumors that they were simply abandoning the professional crop-sensor market. They weren’t releasing anything or saying anything, so it seemed a reasonable proposition which matched the facts.
In early 2016 I made the decision that I was going to get a Sony a7rii and lenses which would replicate the current set of lenses I was using.
About one week after I set my mind to moving to Sony, Nikon finally released a successor to the D300s….the D500. However, by this time it was too little too late. Nikon’s seven-year wait was way too long, whereas Sony had been releasing a steady stream of new products, showing more innovation than Nikon or Canon.
So in one fell swoop, I not only changed manufacturers, but I moved from crop sensor to full frame, and from SLR to mirrorless.
Moving to a new camera system is a subtle thing. I think most photographers could pick up a camera they have never used before and quickly figure out how to adjust their aperture and ISO settings.
Really becoming comfortable with a camera, however, requires a lot of practice. It is knowing where the knobs and dials are so you can make setting changes without looking. It is having an intuitive feel for what you can get away with in terms of ISO. It is knowing where everything you need is located in the menu.
For example, I learned that I really didn’t want to go above ISO 800 on my D200, or above 1600 on my D300s. I could go a bit higher if I really had to, and maybe do some noise reduction in Lightroom, but that was pretty much my limit.
It took me a while to figure out what that level was on my a7rii. In Ethiopia, I took some photos inside of a cave which were absolutely unusable because I didn’t have the correct ISO settings. 9 months later I was again inside a cave in Great Basin National Park and I was able to take some pretty nice handheld shots because I had a much better feel for the camera and what it could do. I prefer to use tripod in caves for obvious reasons, but I was unable to get a permit in time from the park service.
Next time I change cameras or a camera system, I think I’m going to spend several days a home just working on learning the settings of the camera. I didn’t spend enough time learning with this switch.
I also purchased a second body to have in my bag. I purchased a Sony a6000 prior to my trip to Ethiopia. Honestly, I really just purchased it as a spare body in case something happened to my a7rii, but I found myself using it as my primary body when I was off shooting polar bears in Manitoba.
Overall I’m pleased with my move to Sony.
As I noted above, in addition to switching manufacturers I also moved from a crop sensor camera to a full frame, an SLR to a mirrorless camera, as well as to a camera with a much higher resolution. Many people will point out that I could have gotten similar benefits of just moving to a Nikon D5 or a similar body, and they would be correct. Just keep in mind that many of my observations might not just attributable just to moving to Sony.
I have to start with this because it was the primary reason I moved to Sony and to the a7rii in particular. The low light capabilities are amazing. I felt shackled with my older, crop sensor body when it came to low light photos. There were many photos I wasn’t able to capture simply because of the poor low light performance of my D300s. As a travel photographer, this is probably the most important attribute for any camera body because I am often in places like churches or temples which have little light and a flash is not an option.
There were several photos I’ve taken over the last year which simply would have been impossible with my old gear. This photo of an Ethiopian priest was taken at ISO 12,800, several stops above what I could have done before.
From the reviews I’ve read, The a7rii is about one full stop better than the top end Canon and Nikon bodies right now. That is debatable I know, but I’m very happy with where I’m at for low light performance right now.
It is true that, in general, mirrorless cameras are smaller and lighter than SLR. My current kit does take up less space in my bag than my previous gear. However, the difference isn’t as great as some people think. Much of the weight is just squeezed into a smaller package. It is lighter, but not so much that I think it would be worth making a change on this basis alone. Nonetheless, it is a nice side benefit when you have to carry your gear around all day long.
The size difference is enough that when I put my current gear in my camera bag, which is pretty analogous with what I before in terms of lenses, there is definitely more space. This makes it much easier to carry a second body, which brings me to…
The Sony a6XXX line of cameras is very affordable and come in a small package. They basically look like point and shoot cameras, except they can use the same e-mount lenses that you can use on other Sony mirrorless cameras. Whereas the size and weight benefits to the a7rii over an SLR are marginal, the benefits to the a6000, a6300, and a6500 are substantial.
It is very nice to be able to carry a backup body with me which is so light, small, and cheap. They also perform quite well. I used my tiny a6000 with a huge Sigma 150-600mm lens while in Manitoba and was able to take respectable photos with it.
I went from a 12.3-megapixel camera in the D300s to a 42-megapixel camera in the a7rii. That is an enormous jump in resolution….and file size (see below).
Because most of what I do is displayed online, I really don’t need 42-megapixels, but having the extra resolution is handy for a host of things.
The higher resolution gives me more options when it comes to cropping is post processing, as well as the freedom to do other things with my images down the road if I so wish.
While I’m overall satisfied with Sony, everything isn’t perfect. Here are some of the downsides to the system.
I usually could go several days or longer on one battery in my SLR’s. Now, I have change batteries at least once a day and quite often I go through multiple batteries a day. I pretty much have to recharge my batteries every evening or I risk being without power the next day. Several times I’ve forgotten to charge the night before and I got by on the skin of my teeth the next day.
The battery drain primarily comes from the fact that because there is no mirror, at least one LCD is usually running whenever the camera is on, even if it is the tiny one in the eyepiece.
I’m sure there will be improvements to battery life in future models, but I don’t think that mirrorless cameras will ever be as good as SLR’s in this department.
The size of RAW files in the D300s are approximately 15mb each. The Sony a7rii produces RAW files which are about 80mb. That is a substantial difference is size.
It takes an abnormally long time to write the images to the memory card. The decision to use such a slow bus, and to not use the Sony proprietary XQD format memory cards, is one of the most baffling things about the a7rii.
I’m often waiting for the camera to finish writing to the card and there were a few times when I’ve missed a shot because of the buffering.
Thankfully, the rumors are that the next Sony flagship camera will solve this problem with a vengeance, allowing continuous RAW shooting. That means you will be able to hold the shutter down and it will shoot and save continuously until the battery is dead. That’s impressive.
Even if I never change lenses or open the battery door, the sensor on the a7rii gets really dirty. Whereas I didn’t flinch in taking my SLR out in a light rain, I wouldn’t think of doing that with my Sony cameras.
Because there is no mirror to protect the sensor, they need to do a much better job of sealing the camera to keep dust out.
Despite its flaws, I’m overall pleased with the images I’m getting from my a7rii and my a6000. I don’t forsee myself changing systems for quite a while.
Sony has been innovating at a much faster pace than Nikon or Canon, releasing new cameras and features every year. Moving to Sony wasn’t just a play to take better photos today (which it did) but also a bet on the future.
This week Jen Leo, Chris Christensen and I are joined by this week’s guest Johnny Jet.
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